What I Do Versus What I Am

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farenellphoto's avatar
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Deep down a part of me has always known this but its been hammered in lately. Photography is simply something that I do & enjoy, its not who I am.

This has been really hit home in a variety of ways.

- being uninspired by a person's look
- a person's inability to follow freakin' preparation directions
- a subject's primma-donna'ish
- bringing outside drama which I don't need
- changing what has been previously agreed upon in advance the day of the shoot
- content being all about them & not enough giving on what I want or need

But most importantly, if you don't have a sense of humor & are overly particular about being shown a certain way, then I'm sorry, I don't care how hot you think you are, working together is just not for me.

I'm not saying all the people I have worked w/ fell in the above category, Its likely just a numbers thing. By this time last year, I'd worked w/ close to 25 people. This year (as I write this) its closer 6 or 7, so of course the usual 10% of not-so-great shoots only SEEMS more prevalent.

This funk however has extended far beyond my people photography. I haven't shot any random junk stuff in over 8 months & I haven't practiced my sports photography in longer than that. Nor have I not gone out & wandered shooting landscapes or whatever. The explorational wonder just hasn't been there.

Whatever, life will go on.

&
© 2010 - 2024 farenellphoto
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blackflute's avatar
I feel for you and think that we have all been there.

Two of Nick's suggestions hit home one in a slightly different way:

Shoot what you love
Best advice ever (unless of course you are trying to make a living and have learned to hate shooting that which pays the bills).

Take a Break
I don't intentionally take breaks. But in reading this, the parts of your OP about model frustrations and Nick's suggestion came together for me. I've become really fussy about the models I will work with. This does two things:

1. I get exemplary models (I need to do a journal about this).
2. An unintended byproduct is gaps in shooting.

It may or may not work this way for you. But I have to say that being careful about which new models and sticking with the real muses has made my work very enjoyable.

Chin up old chap!